Sayako Hiroi is one of 12 artists selected as a Gallery 263 2023–2024 Small Works Project artist. This project presents artwork in flat files at the gallery and on our website. Visit Hiroi’s Small Works Project page →
Can you tell us a little about yourself?
I am a visual artist creating abstract works. Born in Japan and currently based in the United States, I completed a Master of Fine Arts at the School of the Museum of Fine Arts at Tufts University in Boston.
What kind of art do you make?
In my pursuit to challenge Japanese female stereotypes, I draw upon Japanese woodblock prints, called Ukiyo-e, traditions as an act of resistance. Through the deconstruction of figures, historical motifs, and images reinforcing societal constraints, I internalize and transform them. My paintings navigate the delicate boundary between figuration and abstraction, marked by contoured fragmented bodies with undulating forms and textures. The colors employed capture the essence of modern city life. Expressive brush strokes emanate from a wellspring of emotions, reflecting experiences of humiliation and a sense of worthlessness perpetuated by social constraints.
What concepts does your art explore?
My artistic endeavors delve into the intricate relationships between the East and the West, as well as the nuanced layers that unfold between men and women. Informed by Feminist and Anti-Orientalism perspectives, I systematically dismantle prevailing images to reconstruct them, challenging deeply ingrained narratives and learned beliefs. Having experienced the fetishization of Asian females in the U.S. and Europe, I utilize abstract figuration to shed light on the challenges faced by Japanese women. Through an exploration of the invisible suffocation, I aim to question the enduring tropes of submission, flipping power dynamics to create spaces where women can emancipate themselves from social and cultural strangleholds.
Can you tell us about the work you have on view in your flat file drawer at the gallery?
The works in the flat file drawer are my experimental traits in terms of colors. Normally, I use wide range of colors in one painting, but I wanted to explorer color scheme and effects to contemplate a balance of work. Using a specific color theory and system, I made these small works and it worked really well for me.
Where do you make your work?
I used to work a lot at a studio space provided by my school. In my post graduation, I go to a shared working space in Allston.
What are your favorite materials to use? Most unusual?
I used to like using resin to make some layers between a surface, painting layers and a support. However it requires me to use a great ventilation space, so it is not easy for me to handle it now.
What historical and contemporary artists inspire you?
Joan Mitchell, Christina Quarles, Cecily Brown, Sarah Sze
When did you decide you wanted to be an artist?
During a pandemic period. I did not have any art bachelor degree, and I used to work as a salesperson and marketer at a manufacturing company. But I decided to become an artist and applied for art schools in the U.S.