Exhibition Proposal Series

  • Ripples in Still Water examines the human impact of substance use disorder through intimate profiles and semi-documentary photography by Hannah Latham. These photographic works position rural Maine as a microcosm of a national crisis, where isolation can be deadly, and community can be sustaining. 

    Ripples in Still Water

  • Lonely Table

    Lonely Table transforms mythologies, domesticity, and contradictory emotions into dreamlike, fantastical portals for understanding the self.

    Lonely Table

  • All Glory, Laud, and Honor

    Through mixed media sculptures and technology, All Glory, Laud, and Honor surveys American Christian subcultures and their inherent contradictions.

    All Glory, Laud, and Honor

  • The Art of Care

    Through a combination of photography, crafts, and participatory elements, The Art of Care examines the overlooked value of care work.

    The Art of Care

  • Burning, Growing

    Burning, Growing is a two-person exhibition by Rhode Island-based Matthew Napoli and Maryland-based Julia Gould.

    Burning, Growing

  • The Sea Around Us

    In The Sea Around Us, Michele Lauriat presents large-scale, experimental drawings of real, fictional, and imagined landscapes that call attention to environmental concerns.

    The Sea Around Us

  • I wake up in your bed

    I wake up in your bed is a group exhibition of photography in which the artists deal in desire and collaboration.

    I wake up in your bed

  • Do It for the Boys

    Nathan Bolton presents images of the Los Angeles Rebellion, one of the United States’ four original Queer/Inclusive rugby teams, as they return for their twentieth season amid increasingly anti-LGBTQ+ rhetoric nationwide.

    Do It for the Boys

  • Fiberscapes

    Fiberscapes is the first-ever solo exhibition by Massachusetts-born Maris Van Vlack

    Fiberscapes

  • Once Through a Lens

    In “Once Through a Lens,” Jonathan Mark Jackson and Ali Newhard present work that considers how the landscape of New England has structured their shared and disparate identities.

    Once Through a Lens